红字

齐声之言并非真理

专制之行并非神意

一切都是人类自加的画地为牢行为，一种人类不健全的抱团心里。但这些都是纸老虎，若有一天当被排挤在外的人以一种势不可挡的坚定来进行反抗时，纸老虎们也就化为一地残屑。原著中写：……然而在这一片灰黑之中，却傲然挺立着一丛玫瑰……豁然深悟老子千年前之语：邻国相望,鸡犬之声相闻，民至老死不相往来。这是多大的悯生之情，多大的宽恤与自由。

原载于：墨神的凡龛 http://www.thinkjam.org/mercury/archives/2005/03/eiecie2005ie.html

上周看的电影《红字》（The Scarlet Letter，1995），触动很深。或许一些专家尤其文学人士带着原著的条框去定格她的时候，会有众多的非议。但是从电影以及改编剧本的角度来看，不可否认《红字》算是成功之作。

她没有完全照搬霍桑小说的原貌，事实上，想要完全照搬也是不可能的。小说从海斯特受到公审开始，而电影却为她补充了一段前因，使故事更完整，人物行为和性格更突出更具特点。我认为，这段海斯特来岛，不惧欺辱，不理会他人眼光，以及丛林巧遇阿瑟牧师等等的安排都为后来打下了坚实的伏笔，这种伊甸园般的场景，一见钟情的相遇与后来受审，以致丈夫回来后的压抑痛苦形成鲜明的对比，是谓欲抑先扬吧。……

…… 另一方面，小说以人物心理的刻画为主，主人公海斯特身上的红字与阿瑟心中的红字，甚至作为新一代小珠儿本身就是红字的象征，三条线索一齐发展，丈夫不断的对牧师进行心上的拷问，两个有情人也因为相爱是过错备受煎熬。当然，一部电影是无法通篇展示心理活动的，于是电影《红字》中导演将这种心理活动具象化，用阿瑟的自责行为，丈夫的复仇计划等等呈现给观众，这就是电影语言的不同之处。全篇以小珠儿的口气画外音叙述，结尾也让有情人终成眷属，不过最后阿瑟还是由于过度的自责和内疚英年早逝，海斯特也没有再和别人在一起－－“或许这就是上帝对他们的惩罚吧”。其实经历过这么多矢志不渝的忠贞爱情，最后能够正大光明在一起，一天已是足以，更何况月月年年，不正是那句老话“两情若是长久时，又岂在朝朝暮暮”。据说，结尾还是按照Dami Moore的意见修改的呢。似乎与原著已经相距甚远，可是影片所表现的精神和想表达的内涵还是与原著如出一辙殊途同归了

巨喜欢男主角Gary Oldman演的阿瑟牧师，温文尔雅的外表下是一颗炙热的心，他有知识有风度有思想有理想，他希望以真诚打动印第安部落“邻居们”，避免战争，他把圣经翻译成他们的文字，想与他们共享教义，他深入部落帮助他们，与他们结为朋友。可是统治者们竟然利用他的真诚和友谊妄想消灭异族。他才华出众是少女们的偶像，他与海斯特偶遇一见倾心。他们戏剧性的在聚会上被多次引荐，他们一个漂亮骄傲，一个风度翩翩，他们有共同的爱好－－读书，他们更能看穿彼此的心。怎奈海斯特已嫁作他人妇，于是俩人小心翼翼的相处着，苦苦压抑着真挚的情感。她不去想他，他前往遥远的部落传道，一切的自禁只为忘记，或许稍许渐淡相思。可是真正的情感却在这种“禁”中一触即发。Gary Oldman将角色的情感用表情甚至眼神和气质表现的淋漓尽致，让我们的心与他一起流泪流血，一起在禁中煎熬。

我也“禁”了几天，总想认真写篇blog，可是感情还草草未准备妥当，直到这种感觉突然迸发时，就象海斯特听到了丈夫的死讯，那种欣狂还略显自责的的情感，于是我将即日的压抑喷发出出来，历练、凝固成一首“禁”。

禁
（2005.3.9）
谁用发丝捆绑住灵魂
心痛得呼吸都变得无力
谁的尺子试探着距离
遥远的无法测量的缝隙

谁用双手包裹住抗拒
怎么还能听见风的叹息
谁的信仰践踏着心灵
如何能萌生出春的痕迹

锁不住的心 情不自禁
忘了谁的谁 又想起谁的背影

谁用眼光锁住了神奇
神奇般望穿了铜墙铁壁
谁的剪影住进了圣经
圣经点燃了似火爱情

谁用美丽来点缀衣襟
衣襟织绘着猩红的字
谁的勇气刺破了禁令
碎片散落了一地的光阴

锁不住的心 情不自禁
忘了谁的谁 又重回谁的记忆

    All the encounters are reunions after a long separation in the world. I guess, Hester and Arthur must have seen much affliction before they meet each other. Their love sprouts like the seed of evil, and bursts into bloom.
     Red roses in prison, which offer the fragrance and fragile beauty to the dying prisoners, have already predicted a vivid metaphor at the beginning. Love is beautiful, like rose; yet love is cold and painful, like its thorn.
    I don’t understand the treatise on Good and Evil in transcendentalism of Emerson, I don’t understand the concept of salvation in the Bible, more don’t understand the puritan tradition in the United States. The scarlet letter, for me, is not only a piece of love history, but also a confession related to the original sin. With the fall of Adam and Eve, human beings are originally sinful. The Bible tells us love covers over all wrongs. Moreover, the innocent is not the one to blame. A kind-hearted and honest couple, once trapped in the puzzle of extramarital affair, they are destined to walk into a dilemma——since the flame of love and the perfection of morality mostly can’t live together. As in Paradise Lost, the hero and heroine choose to suicide in their blissful love.
    There are no ugly loves, nor handsome prisons. For Arthur, Hester is undoubtedly beauteous in looks, and seductive in personality. For Hester, when Arthur says I love you affectionately to her, she can feel the love that he bears patiently in this man’s eyes and hands, even silence. In their seven years, determination, hypocrisy, and self-deception are all human nature; in their whole life, long waiting, sense of guilt, and endurance for the contempt are all atonement. In my eyes, Hester veritably has the right to say love although her purity and courage deviate from morality and ethics. Love is colder than death——their love is holy but miserable, like the sacrificial offerings on the altar.
    The bible says that love can bear all things, hope all things, and endure all things. Miss Hester keeps silence for their forbidden love for seven years, while Mr. Arthur pays for this piece of virtueless love at the cost of his life. Who dares to say that the affection between Hester and Arthur is not true love? Common customs tear their bodies apart, but their souls will stay together forever. They feel each other in their stomachs, and they enjoy the ecstasy of sex. Who dares to say that sex doesn’t mean love? There is no doubt that Pearl is the crystal of their love.
    Love is a kind of curse, and love is a lonely carnival. The Scarlet Letter not merely tells the process of romantic love, it tells the ending of love——more accurately the consequence of love that knocks on everyone’s soul. When Arthur falls down on the scaffold due to the heavy burden in mind, when Hester’s ashes are buried beside Arthur after many years, have they ever regretted for the things they had done, including love and the confession of love? Love is colder than death——Hester and Arthur break the curse——chains of morality, and the sublimation of their love burns all the people’s eyes.
    With a bloody letter A on his naked chest, Arthur died in Hester’s arms——he is finally released. However, his deep love for Hester will never disappear. The moment when Arthur eventually stands in front of the multitude and shouts loudly I LOVE THIS WOMAN, we witness a scene of extraordinary love, and the shameful letter A is endowed with new meaning.
    Every character in the book is adorned with a letter A. Hester and Arthur are the undertakers of A. Those righteous people in New England who propose to punish Hester with A——they are the makers of A. And those crowds of onlookers are witnesses of A. Hester’s husband is a dirty dog——he is the enquirer of A. Little Pearl is compared to the fruit of sin, and she is the savior of A. I think the scarlet letter A can be considered as Adultery, Able, Admirable, Amour, Angel, Advance, and even America.
    In the end, Hawthorne writes, On a field, sable, the letter A, gules. I seem to see a woman kneel on the wasteland, in front of her there is a tomb. The woman is so devout that she looks like a statue of a nun. She firmly believes that there will be a new era some day, a bright and heavenly era.
    Love is colder than death. Hester and Arthur, have already lost their names, bodies and souls.
    Now, maybe I should go to read Moby Dick by Melville. That’s for Hawthorne.

    这部电影是原著的改编版，结局比原著好太多，使得看客也多满足了几分，个人而言如果这样一种环境下发展下来的故事又变为了悲剧，那实在没有看下去的勇气，毕竟生活是为了愉悦自己，还是喜欢一些具有正能量和幸福感的片子。
    刚开始发展得比较慢，可能是因为我被剧透了的原因，所以前部分看得有点急躁，但故事发展到了后半部分，情感纠葛和情节曲折还是十分引人入胜，看得胆战心惊不敢放过任何一幕，英文版字幕虽然有些词生涩难懂，但有一些英语诗歌常识的人应该不会觉得理解意思很困难。喜欢剧中的男主角，尊重爱的人又不缺乏勇气，相比起来原著中就没有如此完美了，这部电影如此让我喜欢还有一个原因是里面不缺乏善良的人儿，被认为是巫师的邻居一家增添了不少温情的色彩，还有萌萌哒的女儿让人不禁心生喜爱。
    片子中景色的选取也很美好，浪漫自然原始，总归是一部成功的电影。

这部由霍桑的小说改编的电影 让我第一次觉得原来电影也可以比原著好看
小说中亚瑟牧师是个懦弱的男人 不能保护自己所爱 最后死在了普林的怀中 一个悲剧收场 留下的是这样的遗憾与无奈 但是在电影中 加里奥德曼的亚瑟牧师却是一个坚贞勇敢热情无畏的男人 赋予了亚瑟又一种生命 虽然他也胆小害羞 虽然他也被封建礼教束缚 可是当自己的女人站在绞刑架上的时候 他站了出来 对人群对世俗对上帝高喊:我是孩子的父亲 在上帝眼中 我是她的丈夫 那一刻我也激动的想大喊 怎样的勇敢让他可以在背负这么多沉重之后终于面对这一切 终于喊出了几年来无法承担的责任 其实男人是要比女人苦的 女人虽然被世俗唾弃 但她是坦荡的 是高尚的 她无所畏惧 但是男人呢?无法触碰自己心爱的女人 无法拥抱刚出生的孩子 在人前仍旧做他高尚的牧师 讲他的经布他的道 谁也无法了解他内心隐忍的苦痛 而这一刻 他终于能站起来 终于能摆脱束缚 终于能拥抱爱人和孩子了 但是他却不再拥有上帝的微笑 同样面临被绞死的命运 这时候的印第安人来袭而造成的大团员结局是我觉得最无法接受的 生硬的可以 但还是希望给我一个这样的大团员结局 大概最近悲剧看多了 或者也没有那么生硬了 大家知道亚瑟有印第安人罩着 还敢把他怎样?
影片的场景服装都很好 颜色也漂亮 我截了几张图 发现任何一张拿出来都可以画一张古典主义的油画了 记得最深的就是普林偷看亚瑟洗澡那场戏 她本来是束着头发的 看到亚瑟之前放了下来 还戴上了一顶花环 让我想起夏娃和伊甸园来了 传说这一段加里有露点 但是操蛋的是我居然买了删节版...